That’s how long recovering addict Sophie’s been drug-free. Four months ago her best friend, Mina, died in what everyone believes was a drug deal gone wrong – a deal they think Sophie set up. Only Sophie knows the truth. She and Mina shared a secret, but there was no drug deal. Mina was deliberately murdered.
Forced into rehab for an addiction she’d already beaten, Sophie’s finally out and on the trail of the killer – but can she track them down before they come for her?
I was drawn to this book first by that gorgeous cover and then by the blurb. When it first came out the reviews were glowing, and in the months since I’ve seen it brought up in many conversations about publishing, diversity in publishing and just really good YA releases of 2014. I must admit that I was a little apprehensive when I started to read, I always am when I’m picking up a much loved book, what if I was the one person who didn’t like it? I think I got about 2 or 3 chapters in to the book and realised I was already hooked, I took a brief pause to sigh with relief and then carried on reading. I only stopped reading twice, both times to refill my coffee mug!
The book has two narrative threads told in alternating chapters. There is the current timeline, beginning with Sophie’s release from rehab, and there is a flashback timeline that dances forwards and backwards over the previous few years adding detail and necessary history to all of the current goings on. This structure worked really well, both aspects of the story were equally strong. The thriller aspect of Sophie trying to investigate Mina’s murder plays out well, I didn’t suspect the eventual culprit but it felt like a believable outcome to me.
I liked Sophie from the outset. I found that I had an unwavering belief in what she was saying, and a real frustration with her parents who didn’t seem able to see past what others had told them. The fact they had sent her to rehab when she had not relapsed made me really sad, both for Sophie getting the lack of support she wanted and needed, and for her parents who must be in some state to be incapable of hearing the truth their daughter is telling them. I really appreciated the presence of Aunt Macy in Sophie’s life – she deserved an awesome adult who was in her corner unconditionally.
Sophie’s a well developed character, like all of the characters in the book she’s complex and messy with jagged edges and personal demons. Whilst I want to see all sorts of characters represented in fiction I have a personal investment in seeing characters who are dealing with disabilities and/or ongoing health issues. Sophie was in a car crash that nearly killed her (the first of two near death experiences in her fairly short life, the other being the catalysing event that results in Mina’s death) – she escaped with injuries affecting her leg and back, along with huge amounts of scarring. Her injuries are going to be with her for the rest of the life, she is in pain and has weakness that compromises her walking. She’s angry and bitter, and her former drug addiction is directly linked to the pain she’s in. I really appreciated how honestly Sophie’s experiences are dealt with, and the way that whilst they make up a significant part of her they aren’t the only thing about her. I also liked the way she used gardening as a therapeutic tool – this again felt very true to the character and her situation.
Whilst the book begins with Mina’s death we get to see the hole her absence has left in the lives of those closest to her, particularly her brother Trev and Sophie. She also plays a really prominent role in the flashback chapters – she was Sophie’s closest, dearest friend and played a significant part in her life. Through the strength of her presence I felt like I really got to know her, whilst not as well as I got to know Sophie still significantly more than I had expected to.
Relationships play a significant role in all aspects of this book, both romantic and platonic ones. There is an LGBT plot thread that is well executed, I don’t want to say to much about it as its brilliance is at least partly in how it plays out throughout the book. It’s not something I’ve seen played out often in YA fiction and it’s done in a really well thought out manner. There are a couple of sexual encounters – these are handled deftly, they don’t quite fade to black but are written in a careful and sensitive manner.
I love it when a book like Far From You comes along and reminds me just how brilliant realistic fiction can be. This is the kind of book that leaves you both wanting more and not wanting to go near another book for a while, instead just letting everything you’ve read sink in. I can’t recommend this book strongly enough.
Far From You is published by Indigo in the UK. Whilst I was provided with a copy of the book by the publisher all opinions expressed are my own.